Kate Holterhoff (Carnegie Mellon University)
The relationship between text and image has an important and suggestive place in the humanities. While in decades past literary scholars have been apt to treat any visual elements accompanying literary texts as supplemental to texts, a growing number of visual and media studies theorists have expressed interest in the important and under-theorized role of paratexts in the form of advertisements, book illustrations, and film and stage adaptations. We have a particular interest in the visual culture of the long nineteenth century. For example, the craze for tableaux vivants, recreations of famous paintings on stage with living actors, infected both the popular stage, early film, and book illustration in the mid-1890s. The visual culture leading to this moment had itself been conditioned by pre-cinematic arts like magic lantern shows and stereoscopic viewers. We are interested in the complex ways that this visual culture not only supplemented but determined the representational conditions of literary texts, films, and stage productions.
We welcome papers that engage with any aspect of the word-image nexus in illustrated novels, stage productions, or film in Anglo-European or North American culture during the long nineteenth century.